Category: Collection in focus

By Vivienne Corgoova

The year was 1958 when Addie Donaldson went on a cycling holiday with his wife Barbara to explore the Highlands. While cycling, they simply had to capture the approaching automobile in a photograph as they happened to be fellow tourists captivated by the mysterious atmosphere of the Highlands. The romantic promotion of the Scottish Highlands saw its peak after the publication of Sir Walter Scott´s historical novels in the early 19^th century. “My heart’s in the Highlands a-chasing the deer,” (Scott, line 2) is one of his profound quotes which summarizes the importance the Scottish nature resembled to the author himself. Scott´s depictions of the Scottish Highlands as a mythical, melancholic, and yet bewitching and beautiful place inspired tourists and families across Britain to use the Highlands as their weekend getaway. The illustrations in Scott´s novels by a history painter, William Allan, complimented his literary depiction of Scottish heritage and enhanced the reader´s desire to visit the landscape. The mid-19th century therefore marked the emergence of literary tourism in Scotland.

In addition to the literary works of Scottish authors, the British royal family also contributed to the popularization of touring Scottish nature mainly thanks to Queen Victoria´s numerous visits to the Balmoral Castle. Many English people wanted to follow her travels and participate in the new “touring Scotland trend.” This can raise several questions concerning Scottish uniqueness. What makes Scotland different? How is Scottish identity defined and why is it so attractive to tourists? The iconography in a typical Scottish souvenir shop would be filled with images of tartans, bagpipes, whiskey, and predominantly magical Scottish nature with the cutest Highland cows and vibrant blue skies without any sign of rain. While these images are usually used to lure tourists into the country, they are also associated with Scottish nationhood. The way most nations started to form is by declaring what they are not like rather than emphasizing their most prominent features. Scotland sought to distinguish itself from the English identity by stating that it was different from England building the evidence from stereotypical images such as men in kilts, bagpipers in the Highlands and magnificent nature. This distinction was the point that made the English public interested in the country and it forced them to explore the country to witness those mythical characteristics.

As the railway system across Britain evolved and improved throughout the 20^th century, tickets soon became more accessible to the working classes who could travel to different parts of the country for leisure. In 1983, ScotRail was first introduced to public transport making the travel from southern parts of the UK to the north even easier. The accessibility of the transport system was strongly interlinked with tourism as the decision to go on a holiday to the other side of the country often depended on the convenience of railways, roads, and buses. In very recent history, we can see how imperative transportation is for touring companies as hundreds of Edinburgh Tour Buses pass us every day. These buses can easily go from the Royal Mile to Royal Yacht Britannia in Leith just in a few minutes while providing the guides with the possibility to cover a wider area of Edinburgh´s history all while looking out the window and seeing the mentioned places. The popularity of such buses shows the importance of the tourism sector in Scottish history which also provides 13% of Scotland´s total employment (Bhandari, 21). Even though the stereotypical images on postcards and guide tour leaflets barely represent the complexity of Scottish identity, they are a profound part of a visitor´s idea of Scotland which can only encourage them to visit the place and experience the full extent of Scottish heritage.

Don´t forget to visit us in The Wee Museum of Living Memory to see our “Transport and Tourism” monthly table!

Sources:

Scott, Walter. “My heart’s in the Highlands”

Bhandari, Kalyan. Tourism and National Identity: Heritage and Nationhood in Scotland. Bristol, UK: Channel View Publications, 2014.

Glendening, John. The High Road: Romantic Tourism, Scotland, and Literature, 1720-1820, Macmillan, 1997.

By Vivienne Corgoova

They are seen on every street and every corner, a prerequisite of even the smallest Scottish village and an integral part of all Scottish tourist guides. Their popularity persevered even in the modern era connecting modern society with communities in the past. Bars, pubs, inns, ale houses, and taverns. They were all used as the main sites for socialising for centuries and continue to be regarded as places of social connections even today. Scottish pubs have been an intrinsic part of Scottish history since the 1700s. After the Union of Scotland and England in 1707, major political and social changes took place forcing the general Scottish public to engage in political discussions and form protesting groups. Pubs and ale houses at the time were considered public spaces where labourers, merchants, craftsmen, and others could meet and discuss their discontent with the current politics without being noticed by the authorities. No wonder that even Robert Burns, a prominent Scottish poet during the Jacobite Uprisings, wittily refers to such meetings in his poem “The Author’s Earnest Cry and Prayer”: “Freedom and whisky gang thegither” (Burns, stanza 32). Since then, it was often the Presbyterian ministers and clergy criticizing the Scottish public for their drunkenness and rising level of crime. This notion together with constant rioting was one of the reasons why the Scots were regarded as “the swine and rabble of England and Scotland” (Husks for Swine, 1974).

A wee bit of a Gin Craze

Anyone who enjoys a good pub crawl would soon notice the extensive selection of gins in every good bar or pub ranging from London and its notorious London Dry Gin to Scottish numerous craft gins. This notion can be once again traced all the way back to the 18^th century´s “Gin Craze” when the consumption of gin skyrocketed among the British public. Gin was particularly popular in working-class environments as it was seen as the cheaper alternative to French brandy. First crates of gin were being imported from the Netherlands meaning that the Port of Leith played a crucial part in distributing gin among Edinburgh citizens. Soon enough, the market opened up to gin distillation after Queen Anne herself approved of the botanical drink which led her to reduce taxes for the distilleries and even allow them to run the business without any license needed. However, the heavenly indulgence did not last for long and in the mid-18^th century, the authorities realized that crime had significantly increased after the introduction of gin to the market. By 1743, England was known for drinking almost 10 litres of gin per person per year. Naturally, the taxation on gin was increased in the Gin Act of 1751 as a response to that. Despite the decrease in consumption after the Act was issued, gin remained a popular drink and the established distilleries were getting more recognition.

Gordon’s London Dry Gin was introduced to the market in 1769 by Alexander Gordon who was of Scottish descent. The Wee Museum’s collection holds a miniature book ‘Gordon´s Recipes for Cocktails and Other Mixed Drinks’ which on the very first page highlights that “the name Gordon guarantees purity and quality.” The book contains recipes for the old gin classics. Negronis, dry Martinis or Clover Club. The cocktail more unknown to modern bar-goers would be “Gin Daisy”, which can be made as follows:

Half fill tumbler with chipped ice and add

1 glass Gordon´s Dry Gin

6 dashes of Grenadine

Juice of ½ a Lemon

½ Tablespoonful of Powdered Sugar

Stir well until the glass is frosted, fill with Soda Water adding 2 or 3 sprigs of Mint, and decorate with slices of fruit in season.

Make a wee space for women

Moralising over the consumption of alcohol naturally could not go without a dash of double standards that would demonize women who participated in the “pub culture”. During the First World War, female pub-going significantly increased as a result of growing anxieties surrounding the war continuing in the interwar period too. The public treated female drunkenness as a failure of morality and a total end of femininity and proper womanhood. The reason was simple, the demon drink could only lead to sexual immorality or to the abandonment of maternal responsibilities. The stigma over women in drinking spaces changed after the Second World War when women were widely employed in hospitality, service-based industries, and warehouses. By the mid-1990s in Scotland, there would even be a higher percentage of women in such workplaces than men. A picture from our photo archive depicting the bottling line at Invergordon Whisky Bond in 1990 shows that women made up the majority of such workplaces relating to alcohol. 

Sources

Burns, Robert. “The Author’s Earnest Cry and Prayer.” 1786

Husks for Swine. Dedicated to the Swine of England, the Rabble of Scotland, and the Wretches of Ireland. 1794. Edinburgh: Edinburgh.

Yeomans, Henry. Alcohol and Moral Regulation: Public Attitudes, Spirited Measures and Victorian Hangovers. Bristol ; Policy Press, 2014.

Cooke, Anthony. A History of Drinking: The Scottish Pub since 1700. Edinburgh: Edinburgh University Press, 2022.

The History of Gin in Edinburgh: From Old Town to New, 2023 https://secretgardendistillery.co.uk/blogs/secret-garden-blog/the-history-of-gin-in-edinburgh-from-old-town-to-new

We are introducing a new display area in the Wee Museum of Memory which will focus on a particular theme each month. The themes, and objects to support them, will be selected by different members of staff or volunteer to reflect their personal interests in the topic or the objects themselves.

This month’s theme was chosen by one of our volunteers Hayley, who has been helping Naomi with the collections, in particular the Queen Edinburgh Project. Hayley is studying history at the University of Stirling and has been voluteering with us for some months. The objects that Hayley has selected all relate to youth organisations such as Guiding and the Boys’ Brigade. She was herelf involved with Guiding for many years, from Rainbows, to Brownies, Guides, and then as a Young Leader with a Rainbow group.

We have quite a lot of material culture related to these organisations in the our collections which has been donated over the years, including: uniforms, hats, belts, badges, books, and programmes.

Hayley has chosen a Brownie Uniform from the 1970s which shows a yellow cross-over tie with a white metal trefoil badge. The girl who wore this uniform was in the Imps and was a sixer. She was also awarded quite a few merit or proficiency badges. The Girl Guide

uniform is older – from the early 1960s – with the traditional pale blue triangular scarf folded into a neck tie and pinned with a white metal trefoil badge. The donor also gained a few proficiency badges including laundress, child nurse, and cook.

Merit or proficiency badges were a key element of youth organisations and we have a board with all the badges that were awarded to May, one of our regular visitors. May was at boarding school in Dollar and was in 1st Dollar B. Company. She was in the Nightingale patrol, and gained seventeen proficiency badges, including fitness, gymnast, cyclist, hiker, country dancer, reader, cook and needlewoman. These badges sum up well what we learned about May in later years: she was a very active lady who had trained as a physio, she liked cooking and was an excellent needlewoman who also knitted and crocheted – she taught some of us how to do both, although we never managed to reach her level of skill.

Hayley also selected a few objects about the Boys’ Brigade from our collection – notably a Pill Box hat which many will associate with the BBs – a leather belt with a yellow metal buckle, and an arm band with some metal proficiency badges including: Leadership, Physical, Adventure, and Interests. The selection of badges we have here is from the later twentieth century, possibly the 1980s.

Many key youth organisations started in the late nineteenth and early-twentieth centuries and are still going today. They have had to adapt and evolve over the years, responding to changes in social habits and preferences. The display that Hayley has chosen reflects some of the changes in uniforms between the 1960s and 1980s, but also highlights that offering opportunities and developing skills for young people is still important for all of these organisations. The display demonstrates our ethos at the Wee Museum of Memory: to reflect lived experiences and living memories of social history through the twentieth century, for all ages, young and old.

Pop in and share your memories…perhaps you remember or took part in The Gang Show which was a yearly event at the King’s Theatre?

Cooking, cleaning, shopping, working, looking after bairns and auld folks, blethering with neighbours, paying the electric and gas, rent and insurance…it was all in a day’s (or week’s) work for our mums and grannies. One of the corners of our wee museum that gets a lot of attention is the one packed full of the paraphernalia of housework. From packets of Fairy Snow and Persil to blocks of Carbolic or Sunlight soap, our visitors recognise and remember a lot of the objects on display and can immediately recall seeing many of them being used on a regular basis.

Wash day blues…

Although we don’t have any copper boilers for washing, or early twin tubs, we do have a lot of other objects that were regularly used either in the local steamie or the outside wash-house before most households had access to washing machines. We have lots of wash-boards (although it is surprising how many visitors still want to donate them) which were used every wash-day – possibly at the big Belfast sink which was a feature of most tenement flats or single ends. We often use a selection of twentieth-century boards in our reminiscence sessions to spark a debate about the perceived merits of the glass ones over the Zinc or galvanised steel ones – we don’t have any all wooden ones which are even older. It is not quite clear if one was better than the other, but perhaps a compromise was the Duplex variety which combines both glass and steel. Of course the other use for washboards that some visitors demonstrate is as a musical instrument – often associated with the skiffle music of Lonnie Donegan.

Of course using a washboard required the use of solid soap blocks. We have a variety of soap blocks which are still recognisable – some have never been used; others have had a bit of use. Familiar brands such as: Lifebuoy, Knight’s Family Soap, Nubolic, Fairy, Wright’s Coal Tar, and of course, Carbolic and Sunlight. Many of these hardened blocks have retained their distinctive aroma and picking them up and sniffing can evoke memories of wash days – but also bath nights when the soap was also used to wash children!

Some younger visitors wonder what Orlando Jones Cold Water Starch or Colman’s Azure Blue were used for. Starch was recommended for ‘imparting a creamy colour to laces, muslins, frillings, and curtains…’, and once applied to the material would be ironed, resulting in a stiffened texture. Azure Blue – or perhaps more commonly Reckitt’s Blue Bag – was added to white washes to cancel any yellowness which developed on older white textiles.

We do have packets of Persil – ‘For your whitest white wash’ – and Fairy Snow washing powders for use in machines. Fortunately we also have a copy of ‘The Persil Plan for Home Washing’ booklet, which is full of handy hints about how to plan a weekly wash with or without a washing machine! Mrs Holiday of the Persil Home Washing Bureau can also be contacted for further advice…

She wis down on her knees scrubbing…

Washing the family’s clothes was a weekly chore but there was also the house and stair, close or step to maintain. Scrubbing the dirt with a bucket of water and a handbrush was how it was done. Cleaning was done using abrasives such as Chemico Household Cleaner. Vim or Ajax, and Flash powder – ‘The Cleaner for Every Task’ – came in later. Cardinal (green or red) tile polish were quite familiar brands for many households and were used for polishing the tiles at the doorstep. Silvo, or more often Brasso, was used to polish the brasses on the front door – shiny letterboxes and bell-pulls would stop any criticism from nosey neighbours. It was also the responsibility of all those living in a stair to clean and maintain common areas – the ‘It’s Your Turn’ card would be passed round each flat to remind them to sweep and clean the common stair.

Beaters and sweepers…

Thrashing the carpets and rugs was another regular feature of keeping the house clean. Rugs would be thrown over the washing line and beaten as hard as possible with cane beaters. These beaters come in a variety of shapes and sizes (again despite visitors claiming not to have noticed any, we do have quite a number on display). The beating of rugs was sometimes allocated to children as a task that they could do without causing too much damage. Of course, the beaters also had another less pleasant application: some visitors recall them being used as a form of painful, corporal punishment.

The cane carpet beaters were then replaced by carpet sweepers – familiar to many by the brand name – Ewebank. These were developed in the late nineteenth century – the oldest version we have is made of wood. The more modern red Ewebank Major still works and was regularly used in the unit by one of our older volunteers. With electricity, the introduction of vacuum cleaners to households was a major social and culture change. Many were made by Hoover – ‘It beats as it sweeps, as it cleans’ – and the Junior models are recognised by many visitors who describe emptying the bags and patching frayed holes in the fabric of the bags with parcel tape, making them last as long as possible rather than replacing them with a new one. Heavy and cumbersome they may appear now, but they were a labour saving device that were much appreciated by many.

Housework was hard, physical work – many visitors comment on how heavy many of the appliances or tools are and how strong their mums and grannies must have been. There was no need to go to the gym when there was housework to do, they say. It was hard work indeed, and many labour-saving devices have made our lives easier, but being reminded just how much ‘work’ our mums and grannies had to do should make us appreciate them even more.

Here in the Wee Museum we have objects donated from all aspects of our lives, from home and work life to technology and toys. Throughout the museum, tucked away in a corner or on a shelf, there will be something, often a small thing, that resonates immediately, and sometimes quite emotionally, with a visitor. All our memories are stored but are not always present in our mind – they seem hidden and not brought out regularly as we rush through the passing years, leaving the twentieth century behind. But then a picture on a box, the feel of a pram as it bounces on its springs, or the sound of the typewriter ping, reminds people of their favourite toy or biscuit, pushing their babies and messages down the street or learning to type at work.

Our school corner is a wee tableau of memory; a snapshot of changing teaching equipment and methods between the 1950s and 1980s. From writing out sums (simple additions and subtractions) in a jotter – pre-decimal – to working out calculations for trigonometry using slide rules. Just at the side of course, the teacher figure stands, well-equipped with gown, mortar board and a tawse or leather belt for the administration of corporal punishment. Physical punishing in schools was made illegal in Scotland in 1987, although it had stopped in most public schools before then. Many leather tawses were manufactured in Lochgelly, Fife, and some visitors refer to the straps as Lochgellies. It is interesting, and not a little disconcerting, to note that quite a few visitors can recount their memories of getting the strap – describing the thwack of the belt on the teacher’s desk, and the pain as they held out their two hands for the required number of strokes. Hands were held out together, palms up, one under the other, which was more painful than a single hand. Another form of punishment was the use of blackboard dusters which were thrown with painful accuracy at the heads of pupils. Experiences of being disciplined, perhaps because it was painful, embarrassing, a bit shocking, deserved or undeserved, have left acute and vivid memories with visitors who often describe them in detail.

On display, and we have more than one set in the collection, is a box of Cuisinaire rods. This was a system of learning to count in decimals using different coloured wooden blocks for each number up to 10. The idea was developed by a Belgium teacher, Georges Cuisinaire, in the 1950s. Cuisinaire felt that some students found traditional methods of teaching arithmetic difficult but using a system that was both visual and physical enabled some pupils to understand how numbers were connected by addition and subtraction. The system was not universally used in Scotland but was used in some schoolds in the 1960s and 70s. Again it is surprising how often visitors will exclaim excitedly ‘Oh I remember using those in primary school! Hadn’t thought about them for years…’. Tactile and colourful, seeing and feeling the rods prompt very immediate and powerful memories. These little blocks of wood can take people back to being aged 5 or so, first year in school, a time of change and new experiences.

Scots mathematician John Napier’s work on logarithms (Napier’s bones) in the seventeenth century provided the basis for Englishman, Reverend William Oughtred to develop the instrument known as the slide rule. A basic slide rule helped solve complex problems as it was ‘relatively’ easy to use and was not expensive. It continued to be used to teach mathematics in schools, and by scientists and engineers, into the 1950s and 1960s as the use of computers was still very limited. An alternative to using the slide rule in school (I would question the use of the term ‘relatively’ as it proved beyond my ability) many people also remember Logarithm tables – probably the four figure version. These slim paper-covered booklets were helpful when required to do calculations involving large numbers, by using the log and then the antilog. It is a strange but little known fact that I can still remember the log for pi or 3.14 is 0.873, which is not been something I use much these days. Both systems of calculating mathematics might seem complicated for today’s generation but school day memories are jogged when visitors see them on display and can prompt an attempted explanation – especially if there are grandparents and grandchildren in the group. Cheap, handheld, calculators contributed to the decline in use of slide rules and log tables in schools and the workplace, although perhaps because they were solidly made we have several examples of slide rules in our collection.

Maths class was something that not everyone enjoyed but it did at least involve extra equipment to help with drawing perfect triangles or circles or part circles. The set square, protractor, and compasses were needed to help show angles in geometry – acute, obtuse or right – or radius, diameter and circumference – that’s of course when 3.14 or pi comes into play – multiply the diameter by 3.14 to get the circumference. The geometry set that we have is The Warwick Set of Mathematical Instruments – A Complete Geometry Set, in a little tin box. Maybe you remember something similar?

If you would like to see our school corner pop in to The Wee Museum of Memory and share your own memories…

When we opened up as a pop-up in Ocean Terminal we did not anticipate that we would have so many objects and memories donated by our visitors. At that time our policy was never to say no and to try to accept all donations ranging from the smallest bible which required a magnifying glass to read the print to a wardrobe and cabinet made by a local joiner; a 1950s kitchen cabinet to an empty cardboard box of Smarties; an early 1940s television to an Amstrad Notebook, as well as numerous early mobile phones. Lots of Singer sewing machines: treadle versions, hand and electric ones, as well as paper sewing patterns. Vacuum cleaners: Hoovers of all shapes, sizes and eras. Washboards: we’ve got glass ones and galvanised steel ones, and some that are a combination of the two. Typewriters, telephones, irons (flat, steam, coal, gas, paraffin and electric), kettles, teasmades, rolling pins, biscuit tins, iron shoe lasts aplenty (single and multiple ones), as well as stone hot water bottles of various sizes. Silver Cross carriage-built prams, dolls’ prams, and push-along and sit-on horses (as well as rocking ones). Boxes of Meccano, board games, desks with school books and jotters, and shelves of Ladybird early reader books. Guide and Brownie uniforms, BB and Scout uniforms, as well as canvas rucksacks and camping gear. Wedding dresses from the 1930s, 40s and 50s. Cameras galore, from Box Brownies and Kodak Instamatics to cine and video cameras. Think of any one thing from your life, from childhood to adult age, and it’s likely we will have it somewhere!

We started off in a unit on the ground floor of OT, then progressed up a level; we’re now in a much larger space on the second floor – and even here we do not have enough space to store and display our donations. Moving to an even bigger space seemed unlikely, but when Debenhams closed we came up with a cunning wheeze that we could move into it…a lunch time chat which had us all laughing! All the more disbelievingly when OT then actually approached us about running it as a community hub space…and so now we have The Wee Hub as well as The Wee Museum

The longer-term objective to have The Wee Museum of Memory recognised as an accredited museum means, that we have had to review how we accept and record donations; as well as how we store and look after them. This means that we have to make sure our improved records are kept up-to-date with information not only about the donor but with photographs, and descriptions about the appearance and condition of the object. Donations have to be quarantined before they are processed in order to ensure that they do not introduce any infestations (such as moths – always a major concern for collections with textiles) or bookworm, which could spread to the rest of the displays. The next stage is recording where it will be stored or displayed (or loaned). Some donations have been moved back into storage to improve the displays in the public space and to make it easier for visitors to appreciate the objects when they are visiting the museum – we now also have an audio tour which includes descriptions and recordings of personal reminiscences which can be accessed via a Smartphone or using one of our MP3 players. And as we are a ‘hands-on’ space, a lot of our collection is handled by visitors – or borrowed by other groups for reminiscence. This means we have to record any change in condition – breakages or deterioration.

Without our donations we would not have any collections to display. Visitors have created this museum, but we now need to consider changes in policy going forwards. What do we do with donations in the future? How can we process and store them? This is a dilemma faced by virtually all museums. At the moment we are in the fortunate position of having the Wee Hub as extra space for displaying some of the collection. However this will not be permanent so there is no doubt that we will need to consider how and what we can realistically manage in the future… otherwise we might just burst at the seams!

We appreciate receiving donations very much, but what we love most are the memories that go with the donations – what made it special to your life, your family, your home. As we review our donations and collections, the importance of memories will continue be at the heart of our policies.

This month’s blog will focus on a selection of objects from our collections and how we are starting to collate and catalogue data.

Collections management system

Since the end of last year we have been working on developing and updating our policies and procedures in order that The Wee Museum of Memory can apply for accredited museum status. One of the most crucial areas that needed work was the collections management system (SMS). The photos that have been donated have been entered into an online searchable archive for a number of years. However, although the majority of our objects donated by members of the public often have some personal or family information, we have not previously used any formal collections management system for our physical objects and materials.

We lacked the courage to attempt anything for the huge amount of social history objects and ephemera that comprise our displays – the task was way too daunting! However, we are very fortunate to be able to employ two new members of staff – Louise and Naomi – to update our administrative systems, research the objects and start inputting data into an online archive that will be searchable once it has gone live. The data input is being done by Louise and Naomi supported by a small team, some of whom are working remotely.

Forms, forms, forms…

The data that is entered onto the eHive catalogue includes descriptions, dates, object types, and images, as well as using the Social History and Industrial Classification (SHIC) system which means objects will be indexed under: Community life, Domestic and family life, Personal and Working life.

Upgraded donation forms have been introduced and we have a safety procedure for new objects which are quarantined before they are processed. This is to minimise the potential spread of moths, bookworm or foxing or any other form of infestation. Louise is improving our storage system as well … the opening and dressing of The Wee Hub downstairs has enabled us to free up storage space in the Wee Museum.

QRs and virtual tours …

One of the reasons that the collections needed to be managed more effectively is so that the objects, their history, and any associated personal history (sometimes as a recorded reminiscence) can be accessed by visitors more easily – including those who may not be able to visit in person. Barry, our IT expert, has introduced QR codes for some of the collection as well as creating our first virtual tour. Using the wonders of modern technology, visitors can be guided by his dulcet tones, interspersed with recordings of stories and memories from past visitors and regulars.

Focus on…tea and coffee

We have so many interesting and varied objects which may be quite ordinary but are sometimes unique; bring their own personal stories or might connect with the lives of many visitors. The personal, as well as the social, history available using our CMS might be a potential research resource for particular objects or themes, particularly once the collection is available on-line.

Let’s look at some objects more closely. Here are some of our mid 20th-century tea and coffee utensils…

Making its first appearance in the 19th century, the ‘alarm that makes tea’ reached its peak in the 1960s and 1970s and many were produced under the Goblin trademark. The example we have is typical of the time and style and may be very familiar to visitors.

This 1950s’ insulated teapot, made of ceramic with a chrome cover, was part of a wedding gift given to the donors. It came with an insulated water jug. It was donated to us by the couple who wanted it to be displayed so that other people could see it and share its memory.

This example of a small aluminium teapot with clear handle and Bakelite button on the lid, is evocative of many a family’s memories. Was the tea made with tea leaves, and how strong did your granny make it? This teapot was made in Stratford upon Avon; the products were known as Sona ware and were made by N C Joseph during the 20th century. With a small spout and a raised decorative trim round the middle, and stained with tea inside, this is nice example of a well-used teapot.

The Russell Hobbs coffee percolator from the 1970s conjures up memories of the plop plop gurgling sound, as it sat in the corner brewing fresh hot coffee to be served in the special small coffee cups which would be produced from the back of the cupboard at Christmas and New Year – or at least that’s my personal memory. Made of stainless steel, with a wooden handle and button on the lid, this style of coffee maker is still in vogue today but for many visitors – and staff – it reminds them of their own childhoods.

Picquot ware was made from a magnesium-aluminium alloy, called ‘Magnaillium’ in Nottingham between 1947 and 1980. The handle was made of sycamore wood and the tea and coffee pots were cast in one piece. Although this is listed as a coffee pot it might also have been used as a hot water pot along with a teapot. Perhaps you remember this type of coffee pot or maybe you got some Picquot ware as a wedding present?

We put out a sweetie jar for visitors to leave their comments about their favourite objects in The Wee Museum of Memory and have had lots of interesting comments from people of all ages.

The Viewmaster has been described as having great 3D images. The Creamola Foam tin was named by a few people and someone even noticed their favourite Smiths Crisps packets.

The beauty and the hairdressing displays were also popular, in particular the heater rollers were a favourite with someone. The Daktari Album was the choice of a couple of visitors and brought back many memories for one in particular. The Cuisenaire counting rods reminded a visitor that they demonstrated how to use them to a school inspector when they were at Wardie Primary.

Dolls, the dolls’ house, toys and more dolls, and even more toys, as well as the reading sofa and balloons, are well-liked – and played with – by quite a few of our younger visitors. As are the old-fashioned Hoovers, typewriters and phones, which regularly receive hands-on investigation. One of our visitors was on the design team for the Viscount phone between 1979-1982 so this was his favourite in the collections.

Changes in technology seem to intrique visitors – from early Hoovers and washing boards to rotary dial phones – and one noted that they found the Macintosh Classic interesting to compare with the newer IMacs. Perhaps because the screen is so small?

It’s always a pleasure to get this kind of feedback; it shows that our visitors respond to our collections and find objects in the our Wee Museum that they find interesting or remember. A couple of visitors loved everything …what more can we say to that?

Thank you to all our visitors who have supported us during 2021.